Aperto 06

TAKEDA Yusuke

2017.1.21 (Sat.) - 2017.5.7 (Sun.)

TAKEDA Yusuke (born Hiroshima, 1985) majored in painting at Kanazawa College of Art and in 2014 earned his doctorate at the College’s graduate school. Takeda currently lives and works in Kanazawa, creating installations that combine varying media including painting, photography, video, and sound. Since October last year, he has undertaken production on a daily basis at this museum, using the Project Room as his studio, and this exhibition presents his latest works emerging from in-residency production. Creations employing such media as painting, video, drawing, and statues are installed as independent works in the gallery space, yet meanwhile, they take “image depth / image humidity” as a basso continuo and appear before us as things indefinite or else unclear, overlapping at their deep layers, segmenting, shifting, and changing content. Such works and their correlation evoke coordinate axes containing images of “visible and invisible” and “reality and fiction,” and jolt our perceptions.

THOMAS RUFF

2016.12.10 (Sat.) - 2017.3.12 (Sun.)

Thomas Ruff (born in 1958 in Zell am Harmersbach, Germany) has been a leading figure in contemporary photography since the 1990s when he emerged as part of the Becher School. Along with Andreas Gursky and Thomas Struth, Ruff studied photography with Bernd and Hilla Becher at the Kunstakademie Düsseldorf.
The exhibition introduces a wide range of works by this world-renowned photographer, stretching from his earliest efforts to his most recent and never-before-shown photographs. Ruff was first acclaimed for a series of huge two-meter-high portraits. Since then, he has explored a variety of themes, including architecture, urban landscapes, nudes, and celestial bodies. Through these subjects, he has developed a unique vision of the world we live in.
The medium of photography, closely entwined with our vision and perception, is another important theme in Ruff’s work. He searches for new possibilities in photographic expression using a multitude of images as his materials. These not only include Ruff’s own pictures but everything from digital images from the Internet to old photographs he has collected.
This exhibition consists of a total of 18 series, approximately 160 works, including Ruff’s first effort Interieurs; Porträts, which earned him widespread acclaim; cassini and ma.r.s., inspired by his boyhood interest in outer space; and nude and jpeg, which examine visual and information spaces in the age of the Internet, and his most recent photographs, press ++.

The Boundary between Kogei and Design

2016.10.8 (Sat.) - 2017.3.20 (Mon.)

Kogei or Design?
Kogei (craft) and design are divided in two distinct categories regardless of that fact that both are monozukuri (the making of things) and, in this sense, the same. We need not look close, however, to see works/products describable as “design-like Kogei” and “Kogei-like design” in the interval between them.
This exhibition will show clearly the ambiguous boundary between Kogei and design by seeing them freshly from the perspectives “Process and Material,” “Hand and Machine,” “Form,” and “Sabi (Change over the Years).” While so doing, it will also consider possibilities on the horizon for Kogei and design, both of which are diversifying with the development of advanced technology.

Aperto 05

KASHIKI Tomoko ~Daydream~

2016.9.17 (Sat.) - 2017.1.9 (Mon.)

A series introducing rising young artists in a solo exhibition format."Aperto" is Italian for "open."

Arm Piano 2015 (detail)

SUPERFLEX One Year Project ― THE LIQUID STATE

2016.4.29 (Fri.) - 2017.3.12 (Sun.)

SUPERFLEX is an artists’ group based in Copenhagen, Denmark composed of Rasmus Nielsen, Jakob Fenger, and Bjørnstjerne Christiansen. While referencing existing social systems and frameworks, SUPERFLEX engages the community and constructs proposals for new kinds of public space. This time, the artists will view 21st Century Museum of Contemporary Art, Kanazawa as a petri dish and undertake a one year project of elucidating the museum’s relationship with its community, using three keywords—“cultivation,” “fermentation,” and “tramsformation.”

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