Period:
2026.10.31(Sat.) - 2027.4.18(Sun.)
10:00–18:00 (until 20:00 on Fridays and Saturdays)
2026.10.31(Sat.) - 2027.4.18(Sun.)
10:00–18:00 (until 20:00 on Fridays and Saturdays)
21st Century Museum of Contemporary Art, Kanazawa
Galleries 1–6 and Public Zone
Adults: ¥1,200 (¥1,000)
University Students: ¥800 (¥600)
Students: ¥400 (¥300)
65 and over: ¥1,000
*Fees in parentheses are for groups of 20 or more and web tickets.
*Ticket sales end 30 minutes before closing
Mondays (except November 23, January 11, and March 22); November 24; December 29–January 1; January 12; and March 23
Ahead of its extended closure beginning in May 2027, the 21st Century Museum of Contemporary Art, Kanazawa presents an exhibition that reflects on the museum’s position today and reconsiders what it means to carry works of art into the future. “Today” refers both to the “contemporary” of contemporary art—the present moment—and to the more than twenty years that have passed since the museum opened in 2004. “Tomorrow” points to the time following the closure and renovation, extending into the next twenty years and beyond.
Museums are entrusted with preserving works for centuries, even millennia. Yet the stewardship of art involves many uncertainties, including the aging of materials, the obsolescence of equipment, and changes in exhibition environments and social conditions. This exhibition therefore begins with a concrete and immediate question: how can the museum safeguard its collection for the next twenty years?
Focusing on works from the collection that require renewed consideration of conservation, restoration, exhibition, and long-term stewardship, the exhibition presents works in craft, mixed-media, media art, installation, and performance-related forms. It brings together not only the works themselves but also the processes surrounding them, including research, restoration, equipment upgrades, re-enactment, and documentation. Rather than fixing a work in a single past state, the exhibition asks what must be carried forward, and what kinds of change must be accepted, for a work to remain itself. Through the stewardship of artworks, it considers the future role and responsibilities of the museum.
Commissioned works such as Patrick BLANC’s Green Bridge, James TURRELL’s Blue Planet Sky and Anish KAPOOR’s L'Origine du monde, incorporated into the museum from the architectural design stage, are central to the distinctive character of the 21st Century Museum of Contemporary Art, Kanazawa. This exhibition examines the relationships among these works, the architecture, their installation environments, and the museum’s activities. It considers how they can be carried into the future through long-term care and necessary forms of renewal.
Gasworks uses light to act upon the viewer’s perception. By considering future upgrades to its lighting and control systems, the exhibition asks how the work’s distinctive experience of light can be preserved even as its materials and equipment change. Information on how to reserve an experience of the work is scheduled to be announced one month before the exhibition opens.
This work is a theatrical response by Toshiki Okada to Chiharu Shiota’s installation, A Room of Memory. The museum holds the script in its collection, and performances by several artists with differing backgrounds and approaches are planned during the exhibition period.
Using materials that change over time, this work raises a fundamental question: does preservation mean stopping change, or can a work be carried forward together with the changes it undergoes?
This mechanical work features a three-meter-tall, infant-like figure that rises when radiation is detected. Its operation was suspended during its 2024 exhibition due to equipment failure. Following extensive repairs, the work will be reactivated for the first time in this exhibition. Through its inspection and restoration, the exhibition considers how the work’s distinctive movements and viewing experience can be preserved.
The exhibition welcomes Kenta ISHIGE, Sen TAKAHASHI, and Miyu HOSOI as guest artists. Through their respective practices, they reconsider what it means to preserve a work, transmit actions and experiences, and negotiate the relationship between documentation and reproduction. Details of their new works and presentations will be announced at a later date.
Born in Kanagawa in 1994, Kenta Ishige is currently based in Kanagawa. He completed his graduate studies at Tokyo University of the Arts in 2018. Working as an artist, exhibition maker, and in other roles, he creates works that address subjects including logistics, housing, cities, weeds, part-time labor, memory, and time.
Born in Tokyo in 1992, Sen Takahashi completed his Master’s degree in Sculpture at the Graduate School of Fine Arts, Tokyo University of the Arts, in 2021. While working in the conservation and restoration of sculpture, he also produces works as an artist. Drawing on the knowledge of materials and techniques cultivated through his work in conservation and restoration, as well as his encounters with the people involved in the care and preservation of artworks, he creates works across a range of media, including sculpture, video, and installation.
photo: So Mitsuya
Born in Aichi in 1993, Miyu Hosoi graduated from the Faculty of Policy Management at Keio University. She is a sound artist whose practice centers on sound installations and experimental theater pieces. Through her work, she explores both the possibilities and limitations of sound as a medium of communication. In recent years, she has undertaken research-based projects in Japan and abroad focusing on the memories and records of places, objects, and people.
21st Century Museum of Contemporary Art, Kanazawa
Japan Arts Council, Agency for Cultural Affairs, Government of Japan
HERMÈS JAPON CO., LTD.
THE HOKKOKU SHIMBUN