2017.11.25 (Sat.) - 2018.3.11 (Sun.)
Janet Cardiff and George Bures Miller’s works display a command of sophisticated sound and video technology, and striking sculptural creations. The viewer undergoes a complex perceptual experience of “hearing and seeing” and enters their imaginative world in a spell of enchantment. When experiencing a Cardiff and Bures Miller work, unseen things become visible, soundless things are heard, and we suddenly step beyond reality into their stories with our senses and values in disarray.
Cardiff and Bures Miller’s exhibition at this time features new works and eight installations being shown in Japan for the first time. Installed in the spatially autonomous galleries of this museum, the pieces will transport the audience to imaginary interconnected worlds. A precious opportunity to experience the work of a groundbreaking international artist team.
Local Textile 1
2017.11.18 (Sat.) - 2018.6.24 (Sun.)
Part 1 the “Local Textile” series features TO & FRO, a travel gear brand of the Kaji Group based in Kanazawa and Kahoku. The brand’s name evokes an image of traveling lightly and comfortably “to and fro.” The Kaji Group, possessing advanced technology for weaving extremely thin thread, is producing fabric of unusually light nylon. The nylon fabric is currently used in products by outdoor brands around the world. TO & FRO is the Kaji Group’s own brand of travel organizers and other products created using this fabric. The travel organizers are displayed in this exhibition along with a wide range of fabric samples. Ishikawa prefecture, as a textile producer, has also developed a loom manufacturing industry. Although textile production tends to rely on division of labor, the Kaji Group possesses its own plant for customizing looms. Innovative production at the plant has enabled thread tensioning conducive of weaving with the thinnest, most easily breakable threads. High functionality is a powerful competitive edge over inexpensive mass-produced imported products and an important strategy for the future of Japan’s textile industry.
2017.10.7 (Sat.) - 2018.3.25 (Sun.)
Taro Izumi (1976 – ) is an artist mainly known for his installations that cross video, performance, drawing, painting, sculpture and other media, exhibiting his work frequently at home and abroad. Izumi’s work characteristically involves everyday matters and objects, and sometimes large numbers of people; by capturing actions that appear at first sight to have no real significance, Izumi highlights absurd experiences that lurk in everyday life. Time and space, real and virtual image, inside and outside, free and unfree – Izumi’s practice plays with and blurs such conventional divisions which we unthinkingly impose on the world, questioning them from startling angles.
In this exhibition, Izumi is presenting four new artworks and one book project. Staged in Theater 21 and the Long-Term Project Room is B: But the lens had clearly captured the passing tiger., a work consisting of feature films – the artist’s first such endeavor – along with film posters and a popcorn stand. On the outside of the Long-Term Project Room, there is The Transparent Drool of Fantasy, a work whose concept is “windows fitted with night.” Dawn of the Compact Structures, which will be released halfway through the exhibition period, is a series of videos that superimposes multiple layers of time, resulting in a novel structure for a film. On top of these, works will be completed and added to the exhibition over Izumi’s long-term stay at Kanazawa, including Y: Raise your knee, now lower it. P: I put the stones away so they won’t trip., which sets its sights on the visitors to the 21st Century Museum of Contemporary Art, Kanazawa. Alongside these video works and installations, Izumi will also collaborate with a critic – a specialist at handling words – to produce A Dark Gray Book (provisional title). This work will explore, in book form, new means of communication that might be able to substitute and improve on words.
Izumi has long probed the ever-unsolvable, ever-expanding question concerning the knotted relationship that films and images share with the human body and consciousness. This exhibition promises to be an extremely ambitious undertaking that presents a wholly new approach to this question, while remaining in touch with his practice to date.
2017.7.22 (Sat.) - 2018.1.8 (Mon.)
Today, with the development scientific technologies such as artificial intelligence and biotechnology, long-standing social values are being vigorously shaken. This exhibition displays works concerned with the “migration” of life forms, ranging in spectrum from the transmigration of souls to the artificial creation of new species. We explore the meaning of creating new life forms and possibilities of living in “artificial nature.”
TSUBAKI Noboru Aesthetic Pollution
© TSUBAKI Nabber
Installation view, Collection Exhibition “Invisible Reality” (2010-11)
Wall drawings: KIMURA Yuki, TATEGAMI Kotaro