EXHIBITION
Exhibition
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TARO IZUMI A Child Suddenly
2017.10.7(Sat.) - 2018.3.25(Sun.)
Taro Izumi (1976 – ) is an artist mainly known for his installations that cross video, performance, drawing, painting, sculpture and other media, exhibiting his work frequently at home and abroad. Izumi’s work characteristically involves everyday matters and objects, and sometimes large numbers of people; by capturing actions that appear at first sight to have no real significance, Izumi highlights absurd experiences that lurk in everyday life. Time and space, real and virtual image, inside and outside, free and unfree – Izumi’s practice plays with and blurs such conventional divisions which we unthinkingly impose on the world, questioning them from startling angles. In this exhibition, Izumi is presenting four new artworks and one book project. Staged in Theater 21 and the Long-Term Project Room is B: But the lens had clearly captured the passing tiger., a work consisting of feature films – the artist’s first such endeavor – along with film posters and a popcorn stand. On the outside of the Long-Term Project Room, there is The Transparent Drool of Fantasy, a work whose concept is “windows fitted with night.” Dawn of the Compact Structures, which will be released halfway through the exhibition period, is a series of videos that superimposes multiple layers of time, resulting in a novel structure for a film. On top of these, works will be completed and added to the exhibition over Izumi’s long-term stay at Kanazawa, including Y: Raise your knee, now lower it. P: I put the stones away so they won’t trip., which sets its sights on the visitors to the 21st Century Museum of Contemporary Art, Kanazawa. Alongside these video works and installations, Izumi will also collaborate with a critic – a specialist at handling words – to produce A Dark Gray Book (provisional title). This work will explore, in book form, new means of communication that might be able to substitute and improve on words. Izumi has long probed the ever-unsolvable, ever-expanding question concerning the knotted relationship that films and images share with the human body and consciousness. This exhibition promises to be an extremely ambitious undertaking that presents a wholly new approach to this question, while remaining in touch with his practice to date.
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Jurgen Lehl The End of Civilization
2017.8.5(Sat.) - 2017.11.5(Sun.)
Designer Jurgen Lehl (1944-2014) lived at one with nature and continually reminded people of its preciousness. As his “last work” in life, he chose to engage with serious environmental problems, and he created beautiful lighting implements from plastic garbage washing up on beaches. In this way, the harmful plastic which cannot return to the soil instead illuminates spaces and once again serves people usefully. Along with Jurgen Lehl’s lighting implements, the exhibition also displays the “babaghuri” agates that Lehl long hunted and collected, fascinated by each stone’s unique beauty. “The End of Civilization” is a symbolic exhibition, imparting the message of respect for nature Jurgen Lehl left to us when he died suddenly in 2014.
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lab.2
Sight
2017.8.5(Sat.) - 2017.11.5(Sun.)
A project to develop “Sight,” a device that extends sensual perception, thereby transforming visual experience into something entirely new. (Project members: WAKE Naoki, SUZUKI Ryohei, FUSHIMI Ryohei and MUNAKATA Yuri.) By changing visual imagery into sound, the device enables us to “hear” the visual world just as porpoises and bats use sound to capture prey. We look at the project’s progress and open the venue as an ongoing research lab.
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150th Year Anniversary of Japan - Denmark Diplomatic Relations Exhibition
Everyday Life – Signs of Awareness
2017.8.5(Sat.) - 2017.11.5(Sun.)
Denmark and Japan have become design-oriented nations, each following a path that springs f rom a unique background of history and culture. The countries’ excellent design solutions, inspired by a functional, practical, yet aesthetic approach, are reflections of their cultural identities. Denmark has attracted tremendous attention as one of the most resilient design giants in the fields of architecture, furniture and everyday products since the 1930s. The country established a model for wealthy nations with a highly developed social system with regard to welfare, education and traffic solutions. Japan, on the other hand, is a country which has developed the symbolic design of the time, based on its unique culture and philosophy. The technical expertise required to produce simple and compact shapes and the knowledge and experience to make the most of the material, with a craftsmanship passed down from generation to generation, demonstrate Japan’ s unique position in the global design arena. This exhibition, Everyday Life – Signs of Awareness, showcases the impact of design-minded awareness through the works of designers, architects and artists from Japan and Denmark. It also presents and highlights everyday items that are part of modern life in both countries.
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Collection Exhibition 2 Undying Life
2017.7.22(Sat.) - 2018.1.8(Mon.)
Today, with the development scientific technologies such as artificial intelligence and biotechnology, long-standing social values are being vigorously shaken. This exhibition displays works concerned with the “migration” of life forms, ranging in spectrum from the transmigration of souls to the artificial creation of new species. We explore the meaning of creating new life forms and possibilities of living in “artificial nature.”
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