2018.10.6 (Sat.) - 2019.3.24 (Sun.)
NISHIMURA Yu (1982- ) complexly overlays commonplace scenes and actions, and fragments of “fulfillment” in everyday life to construct a single unified scene in a painting. His approach resembles that of a novelist assembling words and forming paragraphs to weave a narrative. While personal and small in scale, Nishimura says, the momentary scenes and pleasant spaces of our days lend us psychological support. While always concrete in nature, the phenomena Nishimura depicts appear as if occurring in a place remote from reality, owing to his characteristic blurred brushstrokes and coloring. This exhibition’s title, “paragraph,” implies one complete unit. When we see each painting as a paragraph and move through the exhibition, reading and absorbing the pictures dispersed throughout the venue, the rich everyday moments and scenes they portray will congeal in a narrative and speak to us. Viewers will likely want to remain endlessly in the venue’s spaces, looking at Nishimura’s paintings and imagining, not one, but multiple narratives. Featured will be 13 new works of varying sizes, displayed so as to draw viewers deeply into the narrative.
scenery passing (reflected in the window) 2017
© Yu Nishimura
Courtesy of KAYOKOYUKI
CULTURE CITY OF EAST ASIA 2018 KANAZAWA Cooperative Projects
2018.9.8 (Sat.) - 2019.3.3 (Sun.)
Through writing, primarily using the Chinese traditional calligraphy he learned as a child, QIU Zhijie has continually inquired into universal, primordial human existence. Fujian Province, where he was born, was once a vital center for seaborne trade, rich in cultural exchange born from commerce and immigration. Qiu’s works with their dynamic, free perspective are deeply influenced by the culture of his home region. This exhibition examines the art and expressive power of Qiu Zhijie, who sees the world comprehensively and merges his own existence with representation of the relationships between people and things.
Propagator in the Darkness 2008
© QUI Zhijie
2018.7.7 (Sat.) - 2019.3.24 (Sun.)
DeathLAB, founded by Karla Rothstein at Columbia University in 2013, is an interdisciplinary initiative exploring the space and social consequence of urban disposition and memorialization. Housed at the Graduate School of Architecture, Planning and Preservation, DeathLAB’s cross-cutting research engages diverse academic fields, including architecture, environmental engineering, religious studies and sociology. We will introduce the lab’s ongoing work, which intertwines sacred space and civic life.
Constellation Park 2014
©LATENT Productions and Columbia GSAPP DeathLAB
Kanazawa Citizens Free Art Day
Open Marubi 2018
On Kanazawa Citizens Free Art Day local Kanazawa residents can view the museum’s exhibitions at no charge. This year will see the museum opening up to the public even more than usual, with plus workshops, and special programs run by museum staff.
*To be eligible for free admission, visitors will need to present a form of personal identification such as a driver’s license.
- Venue :
- 21st Century Museum of Contemporary Art, Kanazawa The entire museum
- For More Information：
- 21st Century Museum of Contemporary Art, Kanazawa Phone: +81-76-220-2811
Eiga no gokui (The Art of Film) vol. 19
2018.10.6 (Sat.) - 2018.10.8 (Mon.)
”The Art of Film” series presents screenings of films chosen according to themes including politics, society, philosophy, life and death, consumer culture, the absurdities of the human condition, play, era and entertainment, and the aesthetics of film. This edition will showcase film and video works with diverse viewpoints and East Asian, Japanese, Chinese, or Korean connections.
- Venue :
- Theater 21/ 21st Century Museum of Contemporary Art, Kanazawa
- For More Information：
- 21st Century Museum of Contemporary Art, Kanazawa Phone: +81-76-220-2811 / Public Affairs Section