2010.9.18 (Sat.) - 2010.12.25 (Sat.)
Traveling through an endless tunnel of changing light and color. A rat and bear go out on the town and through art and philosophy offer insights into the absurdities of the human condition. Everyday items teeter, precariously balanced. Energy passes by a whisker from one piece of junk to another, in a series of seemingly impromptu chain reactions. Airport scenes from across the globe float alongside a panoramic selection of this world's doings, big and small, rendered in ninety or so pieces of clay. Questions about life and the world that might occur to anyone appear and disappear, drifting ceaselessly through the air. In tiny black and white photos fairytale-like scenes have soft black contours. The tranquil, mundane everyday is suffused with wonder and chaos, tragedy and comedy, melancholy and nothingness.
Wielding a formidable armory of media from photography to sculpture to video and more with extraordinary flexibility, Peter Fischli and David Weiss focus intensely on familiar scenes and things, presenting divergent meanings and diversity of interpretation via a combination of meticulous planning and coincidence, throwing into relief the essence of the human condition in works shot through with irony and humor. We hope viewers will enjoy the strange wonder of Fischli/Weiss art, and their encyclopedic worlds suffused with an original, unconventional aesthetic.
Image：The Least Resistance 1980-81 film still camera: Jürg V. Walther
2010.9.11 (Sat.) - 2011.4.10 (Sun.)
An exhibition featuring pieces from the museum collection, which consists primarily of works produced since the 1980s. The Collection Exhibition presents important artworks reflecting the changing values and transitions of contemporary society and, by weaving complex perspectives into their presentation, explores social issues.
2010.4.29 (Thu.) - 2011.3.21 (Mon.)
Contemporary artist TAKAMINE Tadasu has continually cast light on social issues employing his own experiences and body. “TAKAMINE Tadasu: Good House, Nice Body,” is a long-term project composed of two parts, “Good House” and “Nice Body.” For approximately one year, through their own physical involvement, numerous project participants will re-examine the attitudes we hold toward our “house” and “body”—attitudes that grow obtuse in day-to-day life despite the vital importance our house and body have for us as abodes for our existence.